|
Scene No.
|
1
|
Page No.
|
1
|
|
Slugline
|
INT.LIVING ROOM
-NIGHT
|
|
End Point in Last Scene
|
First Scene
|
|
Characters in Scene
|
Mark Nable
Leo James
|
|
Point of Scene
|
To confuse the audience and
intrigue them with what is happening.
|
|
Conflict
|
How each character think completely different
|
|
Ending/Central Question
|
What are they doing that
needs so much caution?
Who is at the door?
|
|
Key Micro Elements
|
This scene will focus on
cinematography. Tracking shots and long takes will be used. An over the
shoulder shot will be used too.
The scene will also contain
high angle and low angle shot, pans and close up shots.
|
|
Scene Description focusing on
key micro aspects
|
Mark walks into Leo's house
(tracking), Mark shouts at Leo, (camera) as Mark is shouting the camera moves
into a close up low angle shot of him. Mark shouts “YOU CAUSED THIS, THIS IS
YOUR FAULT, YOU DID THIS" the camera shows a Dutch angle on Mark
(Camera). Leo pushes Mark and moves to the right, away from him, the camera
pans towards Leo as he moves away (camera). Leo shouts back "WHAT THE
HELL MAN, WHAT DID I DO? YOU SAID YOU'D HANDLE IT". They hear a knock at
the door and both look towards the door with confused faces as if they know
but don't know how (camera).
|
|
Scene No.
|
2
|
Page No.
|
2
|
|
Slugline
|
INT.PSYCHIATRIC HOSPITAL-DAY
|
|
End Point in Last Scene
|
The screen went blank after the
knock at the door
|
|
Characters in Scene
|
Mark Nable
Doctor Morgan
|
|
Point of Scene
|
To make Mark's condition known
|
|
Conflict
|
|
|
Ending/Central Question
|
Why was he in there?
|
|
Key Micro Elements
|
This scene will focus on the
character of Mark. It will show his condition and why he was in there.
Mid-shots, overhead shot, close ups and long shots will help show this.
|
|
Scene Description focusing on
key micro aspects
|
A long shot of the exterior
shows the institute where Mark is staying (Camera). The camera follows
through the window showing Mark lying down on the psychiatrist's chair
discussing how he feels about being released. As he speaks the camera moves
to an overhead shot of Mark (Camera). The psychiatrist begins writing down
with a happy look on his face, mid shot of the psychiatrist (Camera). The
psychiatrist then releases him from the institute. This is shown through a
close up of the paper which reads "clinically sane" (Camera).
|
|
Scene No.
|
3
|
Page No.
|
3
|
|
Slugline
|
INT.LEO's HOUSE-DAY
|
|
End Point in Last Scene
|
Mark left the institute
|
|
Characters in Scene
|
Leo James
Lewis Taylor
Billy Lloyd
|
|
Point of Scene
|
To establish the type character
Leo is
|
|
Conflict
|
|
|
Ending/Central Question
|
|
|
Key Micro Elements
|
This scene will focus on the
character of Leo and will establish the type of character he is. The
character will be explored through the mise-en-scene e.g. the way he dresses,
the way he speaks, the way his house looks and the friends he has. Close up
shots, mid shots and overhead shots will help establish this.
|
|
Scene Description focusing on
key micro aspects
|
Leo is with his friends
smoking, an overhead shot (Camera) will show the smoke rising and everything
that is spread throughout the room. The room is a mess, bottles, blunts,
cigarette butts all around the room, the whole place is just not a nice place
to be, the furniture is ripped, broken or otherwise damaged (mise en scene).
The camera then switches to close ups of bottles on a low angle (Camera),
with cigarette butts next to the bottles, the furniture has holes and is torn
(mise en scene). The camera shifts focus (Camera) to the people behind, Leo,
Lewis and James.
The smoke in the room is
building, no one is speaking because they are taking hits from the bong they
have. Leo is wearing an oversized black, red and yellow hoodie, baggy black
jeans and a beanie (mise en scene). Leo is a slim and average size person. Lewis
is taller and has an average build, wearing a black jacket, baggy jeans
and has messy hair. James is wearing a black and blue tracksuit and a black
snapback backwards (mise en scene). The room has low key lighting (mise en
scene) coming from the light bulb that is flashing above the three
characters.
|
|
Scene No.
|
4
|
Page No.
|
4
|
|
Slugline
|
INT.PYRAMID ENT.-DAY
|
|
End Point in Last Scene
|
The screen reverts from
spinning colours to appear
|
|
Characters in Scene
|
Mark Nable
Leo James
Billy Lloyd
Lewis Taylor
|
|
Point of Scene
|
To show Mark's decent into
psychosis
|
|
Conflict
|
|
|
Ending/Central Question
|
|
|
Key Micro Elements
|
This scene will focus the
editing and will show a montage of things that ended in Mark going to an
asylum. It will also contain a parallel action of Mark and Leo's lives.
|
|
Scene Description focusing on
key micro aspects
|
The scene will begin with a
backwards zooming close up of (Camera) Mark Nable, revealing his old job as a
manager of the successful company (Mise en Scene), Pyramid Enterprises, the
company sold weapons to the government. Leo is then shown to be a student at
the time (Mise en Scene), learning about the weapons trade and the major
distributors, including Pyramid Enterprises. It is shown through the long
shot of the school (Camera). Next, a montage (Editing) begins with Mark being
fired for misjudging the power of a weapon as shown through an email, Leo is
kicked out of the college he is at which is shown through him being sent to
the head and him shown to be shouting furiously then papers hit the table and
zoomed in, Mark gets fined (Camera) for the damage the weapon caused shown in
the mail and Leo gets an eviction notice. Mark then flips out destroying
everything he can get his hands, moving outside and attacking everyone he
sees with things like fence posts, car bumpers and bottles he finds on the
street floor. Leo breaks down and then gets the heroin he has hidden away to
calm himself down (Camera).
|
|
Scene No.
|
5
|
Page No.
|
5
|
|
Slugline
|
INT. MARK'S HOUSE-NIGHT
|
|
End Point in Last Scene
|
Montage just finished
|
|
Characters in Scene
|
Mark Nable
Jennifer Nable
|
|
Point of Scene
|
Mark tells his wife about his
being fired and the damage he caused, with the fines
|
|
Conflict
|
Husband and wife financial
crisis
|
|
Ending/Central Question
|
|
|
Key Micro Elements
|
The key micro element of this
scene will be the sound and dialogue as it will help the narrative.
|
|
Scene Description focusing on
key micro aspects
|
Mark walks into his house,
tracking shot,(camera) and sits down in front of the TV, a shot-reverse-shot(Editing)
of the wad of fines and bills in his hand. Jennifer asks "where did all
that come from?" to which Mark replies "Work". She then
asks" you were fined because of work!??" in a very temperamental
way. The music at this point is slow with occasional bumps of high notes (sound).
Then Mark will slowly say “I got fired." Jennifer will show incredible
anger with this and say “What?? How??” Mark replies “Faulty weapon",
Jennifer then says "These fines??" Mark says “Faulty weapon".
Jennifer then exclaims their financial state and that they couldn't pay the
fines.
|
|
Scene No.
|
6
|
Page No.
|
6
|
|
Slugline
|
INT.MALL-DAY
|
|
End Point in Last Scene
|
Switches from the Nable house
to the mall
|
|
Characters in Scene
|
Mark Nable
Leo James
|
|
Point of Scene
|
Introduces the two main
characters to each other
|
|
Conflict
|
|
|
Ending/Central Question
|
|
|
Key Micro Elements
|
Cinematography is the focus of
this scene and will have different types of shots. Shots such as the over the
head shot, tracking shot, two shot and mid shots.
|
|
Scene Description focusing on
key micro aspects
|
Mark is walking
through the mall, tracking shot (Camera), and meets someone who recognises
him, Leo. Two shot (camera) of them both is shown as they speak about who
they are and what they've done. The next few shots will be the mid shots (camera)
of both characters as each them talk.
|
